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Title: <Un/Popular.Cultures@Play>
Volume 17 Issue 4 Spring 1998 |
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Article
Description |
Author |
| 1 |
Cyberlife and
Cyberharm: A Human Rights Approach
Introduction -
The late twentieth century has seen what some commentators
are referring to as the information revolution, allowing
individuals around the world to interact with each
other through the Internet. These interactions
form webs of personal relationships in and through
cyberspace, which go to characterise cyberspace as
a virtual community. While traditional societies are
based on the idea of self as a fixed entity, virtual
societies require us to reconceive of the self as
"having multiple and contradictory identities,
community affiliations and social interests"
(Seidman 1992 cited in Jureidini et al. 1997:34)
and recognise that there are numerous viewpoints and
ways of organising social relations. One question
raised ....
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Alison Smith |
| 2 |
The Convict Tattoo
Introduction -
Early last century one in four British convicts wore
a tattoo (Stewart and Bradley 1996: 3). Despite
the recent efforts of scholars and curators to liberate
the convict voice, surprisingly few have sought to
interpret perhaps the most "expressive"
of convict traces.! And equally, while current studies
into forced labour and banishment promise to place
Australia's convict origins in a more useful global
context, attempts to view convictism through the hearts
and minds of its captive subjects remains strangely
untried. Surely enough, of all the ghosts in
the cupboard of our current tattoo culture, the tattoo
made in prison remains ....
|
Gary Crokett |
| 3 |
Reading Mountain
Bikes through Technoscience and the Cyborg
Introduction -
This paper explores some of the connections between
gender and technology, and the mountain bike (MtB).
I argue that reading mountain biking through the lens
of technoscience and the cyborg provides new possibilities
for understanding, and intervening in how technologies,
and the stories about them, shape gender, and gender
relations. To explore this, I first outline the contribution
of Donna Haraway to understanding social relations
and technology (1991, 1997). I then provide some background
to the culture of mountain biking and highlight some
of the ways in which it marginalises women. I conclude
with a discussion of some of the implications of this
approach for how stories about mountain biking, and
gender and technology more broadly, can be rethought
so as to take into account the experiences of women.
|
Sophie Taysom |
| 4 |
Skateboarding:
Disrupting the City
Introduction -
We still get tickets for skating downtown, we get
harassed by cops and security guards, chased by dogs,
we session shitty curbs and spots, twist ankles and
bruise palms and most of all get looked down upon
by the general public. - Lance Dawes in Slap
Magazine, April 1997, 6.4
City space organises social relations in particular
ways. This paper explores some of the connections
between this space, consumption and skateboarding.
We argue that skateboarding disrupts the consumptive
logic of city space and obscures the boundaries which
serve to differentiate consumers. This is achieved
by skateboarders reinventing the terrain of
the city. We begin by outlining what is meant by "city
space" and examine some of the ways in which
individuals interact with/in this. Following this
is an analysis of how particular skateboarding practices
disrupt the spatial conventions of consumption.
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Simon Irvine and
Sophie Taysom |
| 5 |
Exploring Sexual
Violence in the Dark Room
Introduction -
Popular culture is not simply entertainment, as it
generally reinforces but may also occasionally challenge
the status quo. While the carnivalesque of popular
culture pitted against "high" culture or
the collapsing of high and low culture in postmodern
writing may seem liberating, popular culture generally
reinforces the status quo. This is certainly the case
with genre fiction, relying as such fiction does on
conformity to conventions for its reading pleasure,
so that norms are reinforced along with expectations,
and crime fiction is an especially conservative genre.
|
Don Fletcher and
Rosemary Whip |
| 6 |
Conspiracy Theory,
Pre-Millennium Tension and the X-files: Power
and Belief
Introduction -
This paper examines the phenomenon of popularised
forms of conspiracy theory with specific reference
to the commercial television program, the X-Files.
We argue that conspiracy theory is a type of epistemology
which provides a framework for an understanding of
the world and one's place in it, and contend that
this is the result of conditions peculiar to the present
historical moment. In an era that has weathered the
cultural dominance of the visual image - particularly
evident in the ascendancy of television, the hyper-proliferation
of knowledge and the rise to orthodoxy of postmodernism,
conspiracy theory has emerged in popular culture
as a means of reconciling contradiction, and asserting
an interpretive presence or perspective. We argue
that conspiracy theory is an attempt to democratise
or make available knowledge/information by divorcing
it from power structures that manipulate it or homogenise
potential versions. Through engaging with these
power structures and knowledges, the conspiracy theorist
not only effects
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Simone Irvine and
Natasha Beattie |
| 7 |
From Margin to
Centre? Images of African-American Women in
File
Introduction -
Despite strides towards more realistic depictions
of black womanhood in American cinema, much progress
still needs to be made. This study will examine recent
films such as The Color Purple, Waiting To Exhale
and Jackie Brown to critique how motion pictures transmit
memorable images with the power to alter or reinforce
popular conceptions of black women. When these images
are problematic or distortions of reality, it can
have a detrimental effect on both the viewer and the
individuals portrayed upon the screen.
|
Sharon L. Jones |
| 8 |
"Advertising
is the official art of advanced capitalism":
mobile telephones and the interpellated subject
Introduction -
This paper will analyse a series of television advertisements
for mobile telephones and associated mobile telephony
services, examining the representations of mobile
telecommunications as they are constructed by the
mass culture industries - in particular as they are
constructed through television advertisements for
mobile telephones and their attendant services. Working
from David Harvey's aphorism that "advertising
is the official art of capitalism" (1989:69),
it will attempt to construct a composite sketch of
the specific form of subjectivity constructed and
enrolled by these advertisements. In a society in
which mobile telephones have reached an extraordinary
level of saturation, the subject inscribed by such
mobile phone advertisements would appear to have successfully
addressed a significant portion of Australian society.
The intent of this paper therefore is to construct
a description of the interpellated subject of mobile
telephony: that is, the subject that finds itself
- not necessarily of its own choosing - addressed
by and transcribed within the narrative spaces of
the ....
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Sean Smith |
| 9 |
Rave Cultures
and the Academy
Introduction -
Today, research into post-acid house, post-rave music
cultures is at the forefront of contemporary research
in the field of cultural studies. All this academic
interest in "rave-derived" dance cultures
poses the question: why do club cultures present themselves
so readily as objectives for a cultural Studies gaze?
This paper will briefly elaborate upon the fact that
the answer to this arguably lies in that, following
on from the seminal work of Dick Hebdige (1979), rave
culture can be seen and critiqued as the paradigmatic
model of a lapsed subculture, redeemed via commodity
co-option, under systems and processes of advanced
capitalism.
|
Susan Luckman |
| 10 |
A
Balance of Interests
Introduction
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Every now and then we hear the phrase the common
good, a concept linked to another, the civil
society. I first heard these explored on radio
a few years ago and it was a relief to hear the speakers
challenge the paradigm of corporate-speak in order
to reassert some common sense. Along with common
good and a civil society notions of common
sense (as in "sound and prudent" rather
than "unsophisticated"), as well as notions
of ethical intelligence are being marginalised
by the corporate paradigm currently dominating nearly
all areas of life. For this reason we need to
stop and remind ourselves what these notions mean
and how they function within a diverse and sophisticated
society.
|
Anne Collins |
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